Experimental design from Apocalypse

David Carlson, 10 June, 2009

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Swedish experimental design group APOCALYPSE presented four new products made from materials with history at the DMY design festival in Berlin last week.

The Pot and Shelf Torso uses a few of the 360 million tires consumed yearly in the EU. As pots and shelves, the tires get a new life.  The material is made by granulated tires ground into a powder which is mixed with recycled plastic. The binding is reinforced with a patented molecule. More than 95 % of the content is made from recycled materials and it can be recycled over and over.

The Lamp Blob is made from start clumps from the plastic industry. In order to adjust the the machinery some of the melted plastic becomes waste and is by APOCALYPSE given a second life as lamps.

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The Parquet Multicolour Herringbone is also made from recycled car tires and plastic packages. This new version comes in five different colours.

The Soap Original and Perfume is made of reused cooking oil from falafel kitchens. The Soap is redefining the concept of luxury and questioning animal and other dubious cosmetic ingredients. The Soap Original is neither perfumed nor coloured and has a light old-fashioned soap scent thanks to the saponification process. The Soap Perfume is scented with our own organic perfume Ultra Fresh Bakery Bouquet.

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Mono-use disposable plate

David Carlson, 9 June, 2009

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UFO  (Unidentified Feeding Object) is a mono-use disposable plate designed by Andrea Ruggiero for InDisposed – an exhibition which invited designers to address notions of disposability in everyday products. Lightweight and rigid, UFO is designed to to be used at picnics, garden parties, beach parties or barbeques and disposed of by launching it into the bushes – exactly like a frisbee. Upon impact, the plates break into smaller pieces and then serve to feed birds, squirrels or rodents, referencing the waste=food principle. The very act of launching the plate makes its disposal shameless and fun (a cross between an olympic discus event and a Greek wedding) and the impact of the plate becomes a necessary component of the process. In Italian, such mono-use objects are referred to as “usa e getta” or literally, “use and throw” in English. Though semantically disturbing, this was the inspiration behind the UFO concept. UFO is made of a unique composite of blended bird seed, potato starch, guar gum, and a seaweed-like binding agent. The plates are highly resistant to wet foods, vinegars and sauces, yet completely biodegradable, non-toxic, and vegan. 

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Tom Dixon talks about sustainability

David Carlson, 7 June, 2009

Above is another filmed interview by Designboost from the MiniBoost at Milan Desgin Week. This time you can listen to designer Tom Dixon and his thoughts about sustainability and city development.

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David Carlson, 7 June, 2009

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Ross Lovegrove about sustainable cities

David Carlson, 5 June, 2009

Listen to designer Ross Lovegrove talk about his philosophy of sustainable cities.

My company Designboost went to Milan and made thirteen filmed interviews on the topic of sustainable cities. We met up with some of the worlds most acknowledged designers. This week the interviews with Ilse Crawford, Tom Dixon, Konstantin Grcic, Arik Levy, Ross Lovegrove, Katrin Olina and Satyendra Pakhale are released. Next week we will release six more interviews with Ronan and Erwan Bouroullec, Kristina Dryza, Richard Hutten, James Irvine, Tim Power and Patricia Urquiola.

Stay tuned for more videos!

Can you imagine the city skyline of tomorrow?

David Carlson, 4 June, 2009

The Knowledge company Designboost is interested to explore the personal viewpoint of sustainable cities of some of the worlds most acknowledged designers. To find out Designboost went to Milan Design Week and made a MiniBoost. The MiniBoost resulted in thirteen unique interviews. The seven first interviews are released today and include personalities like Ilse Crawford, Tom Dixon, Konstantin Grcic, Arik Levy, Ross Lovegrove, Katrin Olina and Satyendra Pakhale.

The questions asked look at sustainable cities from a holistic point of view and touch among other subjects sustainability according to cultural life, emotional amplification and the personal stories of the inhabitants. The questions are written by different Boosters at the DesignBoost 2008 key event “Long Live the City” in Malmö, Sweden. One may say that the MiniBoost is like a relay race with questions as batons passed on to new Boosters.

Next week Designboost will release six more interviews from the Milan Design Week MiniBoost including Ronan and Erwan Bouroullec, Kristina Dryza, Richard Hutten, James Irvine, Tim Power and Patricia Urquiola.

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Hub Culture: For those who see the world on a global basis

Kristina Dryza, 3 June, 2009

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Hub Culture is home base for the world’s knowledge leaders merging the virtual and physical worlds. Stan Stalnaker in ‘Hub Culture - The Next Wave of Urban Consumers’ first wrote about the network of global urban modernists who orient themselves around hub living in 2002. The associated website became the resource and meeting point for these global nomads, and a reference point for the uniquely globalised zeitgeist defining hub culture.

Stalnaker saw the need to move this social network from the digital to the physical and back again with no drama. Asked about the future of social networking he responds, “Getting real! That’s our take on it anyway . . . we see social networks moving off the web and into real life, still powered by the web. Hub Culture is a ‘real network’ that uses social network traits to deliver enhanced collaboration in real life. We see this merger of the metaverse (online) and the universe (offline) as the next big wave to hit society. This emergence of the omniverse will change everything - embedding the web and links into everyday objects and the very fabric of society. As a result, we are trying to lead in this area by taking these components from social networks and embedding them in real world scenarios - whether it’s our Cannes Pavilion overlooking the sea, or in London, where executives gather from around the world to connect and work.”

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Stalnaker describes this urban community of globalised citizens as ‘post national’ as many come from two or three cultures, but operate on a global level with a shared perspective. Most of us have at least one friend who was raised in one culture, completed studies in another, and now lives in a third culture; if not friends that live and work between the world’s major hubs; or know of those who genetically or culturally identify with more than one city. Global hub living is not something in the distant future, it is happening now.

The big cities are the nomadic elite’s hubs around the world. These urban centres are the playgrounds for their chosen lifestyles, so the first permanent Hub Culture Pavilion was opened in Carnaby Street, London this year. The Pavilion radically reduces the cost of workspace and for a monthly or daily fee you can tap into the network of people that congregate to work there. It eases the stresses and strains of mobile living with valet and concierge services, and tries to ground the rootless lifestyle by enabling genuine connections to others in the network.

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Future permanent Pavilions will come to Amsterdam, Berlin, Hong Kong, New York, Punta del Este and Singapore with temporary Pavilions in Cannes, Davos, Ibiza and Miami. Social networks drive global socialisation and the Hub Culture traveling Pavilions have the mobility to move you across your networks (contemporary art) and locations (Art Basel Miami). 

While the Hub ‘connects people, ideas and capital to each other for projects all around the world, always for social progress or integrated mutual benefit’; its mission is to reveal and enhance our collective consciousness. And as Stalnaker explains, “It appears that more and more people are coming to an understanding, driven by technology and other social changes, that there could be a common collective consciousness that exists between humanity. The more connected we become, the easier it becomes to access this collective identity - whether culturally, via communications, or eventually from the very definition of our identities.”  

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The entrepreneur believes a functional collective consciousness will result from instant access to information allowing anyone, anywhere, to access what anyone else, anywhere knows. “That point is perhaps very distant in the future, but our efforts to integrate and engage the hub network - we feel - contribute toward this mission.”

The trading of goods and services in the hub network is based on Ven, the world’s first peer-to-peer social currency. It floats against other global currencies and is tradable online and redeemable at all Pavilions. Ven functions as a karma wallet - somewhere between thank you’s and payments - and is used for good deeds, introductions, or as a way to acknowledge positive social action. 

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And what does this entrepreneur/futurologist see as the future of innovation? “Innovation is the ‘process of progress’ - the way we develop new memes that take hold in the culture or society that propel us forward. Innovation has become the holy grail of many companies and institutions looking to survive an ever more rapidly changing world, so to some innovation is about ‘change’. But change for change’s sake means nothing. We need to be changing toward something better if it is to have a positive material affect on society. Not all innovations are good, so we must consider both the process and the result of an innovation to understand if it’s beneficial to humanity overall. Taking in these ‘externalities’ should be a necessary ingredient of innovation. For me, only this type of innovation - this ‘process of progress’ is true innovation.”

So whether it’s Facebook, the resort on Luxury Island in Second Life, home base in London, or the traveling Pavilion in Ibiza, Hub Culture is the place to interact with others who live, work and travel between world cities on the ‘process of progress’.

This is a new post by David Report contributor Kristina Dryza.

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Categories: lifestyle

New lifestyle application for iPhone – iMove

David Carlson, 2 June, 2009

iphone_application_imovie

iMove is a lifestyle iPhone application for people who like to dance or express themselves through dancing. The main purpose of my project has been to create an application that stands out as a fashionable accessory among the vast amount of applications available in the app store today. iMove exudes freshness and innovation! 

The target group I have chosen to focus on is people aged 15-30 years. People in the audience have passion for modern technology and new media. Other words that reflect the target group’s interests are music, design, and entertainment.

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iMove application is playing a basic beat in the start so that you are encouraged to start dancing. When you start moving, you create music according to various body movements. At the same time you’re iPhone is recording your movements with the accelerometer in the phone and create an animation with graphic pattern. When you have finished dancing, you can listen to the music you have created and watch the graphic pattern of how you have danced.

The iMovie application is designed by Elma Cavalic and is on exhibition at FORM/DESIGN Center in Malmö until the 7th of June.

Watch a short movie about the project below:

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Categories: lifestyle

PIECES of interaction

David Carlson, 2 June, 2009

malmo_university

How would you visualize relatedness? What if you could feel through the senses of a fish? How to work with children as designpartners? The interaction design students at master and bachelor level at K3, Malmö University invite you to come and look, try and discuss their ideas on these topics at their graduation show at Orkanen (Nordenskiöldsgatan 10), Malmö on the 10th-12th of June. Join in, mingle, add a few pieces to the puzzle…

Video from ‘Corian super-surfaces’

David Carlson, 1 June, 2009

As I have reported about before  DuPont Corian and Amanda Levete Architects (AL_A) made an exhibition called “CORIAN super-surfaces” at the April Milan Design Week.

Above is a brand new video of the presented re-defined lounge environment and also an interview with Amanda Levete.

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