Can we still talk about unique logotypes?

David Carlson, 30 January, 2009

unique_logotypes

Uniqueness is one of the most classic arguments when creating and presenting a new logotype for a company or organisation. Although we see a growing number of conflicts where companies take legal action when accusing the other party of stealing or copying their corporate symbol. 

John Mellkvist, Creative Director of Stockholm based graphic design company JohnLook.com with business cards as signature product, has long experience of working with graphic identity. In Resumé, Sweden’s leading media news magazine he explains this new phenomenon.

- It’s a strong trend today that a company finds their logotype used by another organisation. On top of this, media has become interested in this and reports these things more often than before says John Mellkvist.

A good example of this was when two dentists from Cheltenham, UK last year were sued by Fashion giant Lacoste for using a similar Crocodile as their trademark. The significant outcome of this was that the two dentists won this prestigious legal battle.

-The problem is that many design companies still use the unique as an argument as we sell graphic identity. Before internet this was possible because a lot of similar symbols lived their life without meeting each other, says John Mellkvist.

One of the most talked about logotype issues last year was when Norska Posten (Norwegian Post) launched their new logotype, which including the advertising campaign had a cost of about 30 million euros. 

As soon as it was presented it was observed that London Clearing House used an almost identical logotype. Brand consultants demanded that the logotype of Norska Posten should be stopped immediately.

John Mellkvist believes very few logotypes are ripped off deliberately. The reason behind the visual conflicts we see is according to Mellkvist  that designers as a group are consuming the same media, picking up the same trends etcetera, but also that there are very few ”vacant” graphic expressions for a company to have.

-I’m not saying that well functioning logotypes ought to be thrown in the bin. I’m talking about all the new brand names that is yet to be designed. They will be nice, suitable, edgy etcetera. But unique? I doubt it.

Article in Swedish about a recent case. And another one.

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Categories: Business, Design

Brit Insurance Designs of the Year

Alfred Malmros, 28 January, 2009

The Norwegian National Opera and Ballet, Oslo. Photography: Jens Passoth

Brit Insurance Designs of the Year is the Design Museum in London’s annual design award. Its aim is to explore “innovative, interesting and forward-looking new work in design of all kinds, from around the world.”

Over a 100 objects in 7 categories are presented and they’re picked by a group consisting of “respected design experts, curators, critics, practitioners, enthusiasts” and even the popular vote. The categories are architecture, fashion, furniture, graphics, interactive, product and transport. There’s then a winner in each category  and finally an overall winner who gets the ultimate award; the Brit Insurance Designs of the Year 2009.

Campaign logo for Barack Obama by Sender LLC and mo/de.

Now, what exactly is awarded? A lot of things, objects, design, advertising campaigns, basically anything that falls under the definition of “interesting.” And who picks the winner? Well, “enthusiasts” entitles quite a lot of people to decide. So when pretty much anything from “around the world” that anyone that is enthusiastic about “interesting” things can pick what is the worth of the award itself? What will the winner feel has been accomplished?

There are many awards that are picked by an elitist jury and can be questioned because of this; are their taste the correct taste? There are as many awards that are picked by the public, and these awards’ purposes are as easily questioned. The Brit Insurance Designs of the Year award is a marketing stunt, marketing Brit Insurance and giving the excellent Design Museum an exhibition of the year, guaranteeing revenue and visitors.

St Pancras International. Photography: LCR/Troika Photos

Will Sender LLC and mo/de be happy if they win for their magnificent campaign logo for Barack Obama. Will they or anyone consider it to be per definition better design than St Pancras International, Prada’s Spring/Summer collection or Oslo’s new Opera House by Snøhetta?

Can you pick an object from the 100 presented that you think is the best design of 2008?

http://www.designsoftheyear.com/

Categories: Design

More Clouds images by Bouroullec

David Carlson, 27 January, 2009

Here follows a couple of more images from the Clouds exhibition by Ronan and Erwan Bouroullec at Galerie Kreo in Paris (which I wrote about the other day).

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Categories: Design

Ross Lovegrove in DSTV

David Carlson, 26 January, 2009

Designspotter just launched their Designspotter TV (DSTV). Here is a fresh interview with Ross Lovegrove during the Cologne design week.

Categories: Design

80 square metres of Tokyo in Paris

Kristina Dryza, 25 January, 2009

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500 square metres of the 65,000 square metre biannual fashion trade event Prêt à Porter Paris is dedicated to Explosion de Modes, an inspirational trends area. The trade event in Paris - one of the global fashion industry’s most important events - showcases more than 1,500 global fashion brands, runway shows and art installations, and receives 45,000 visitors over four days. The theme for Autumn-Winter 2010 will be ‘New Generation Cities’. 

Tokyo, Rio, Stockholm, Los Angeles and Paris were selected by Explosion de Modes curator, Alexandra Senes, as the world’s new wave of urban influencers. Each city is to convey current consumer and societal trends within the parameters of an 80 square metre space. And within this fraction of space, the Japanese consumer research and trend forecasting agency Five by Fifty,  is tasked with recreating the inspirational diversity and contradictions of Tokyo - the world’s most populous city.

Playing with the five senses for a contextual experience, the agency has assembled a cast of collaborators to capture and recreate the pulse and spirit of Tokyo. The collaborators include sound designer Yasuharu Ohkouchi, musician Jeff Wichmann, film creator Stuart Ward and scent creator Kaori Oishi.

But how do you capture both the vastness and detail of a city in 80 square metres? Nicole Fall, trend director of Five by Fifty describes how “after defining Tokyo’s essence, we had to turn these words into something that represented a physical space. It seemed intuitive to make sense of Tokyo by using the five senses. In chronological order, we started with city noise, or what we called, ‘The Soundtrack to Tokyo’.” Listen by clicking the following link: Soundtrack

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Five by Fifty recorded 100 unique urban sounds - the birdsong in Yoyogi Park . . . trucks reversing . . . the music that plays at 5pm to serve as a warning for children to go home . . . trains running on the Yamanote Line . . . the Bic Camera jingle - and then sound designer Ohkouchi layered these sounds to create a story of his own.

“The music starts with a young man arriving from Narita, riding the mainline train into Shibuya station as the cherry blossom petals fall onto windows,” Ohkouchi explains. To add to the composition, the sound designer collaborated with Wichmann, an experimental composer and musician who blends the koto with other instruments to form new sonic sculptures. 

Wichmann describes the recorded koto sounds as figurative sensations of spring and fall in Tokyo. “I tried to create sonic vignettes to mirror cascading sakura petals in the wind . . . rain drops on one’s umbrella and the sidewalk . . . fading leaves and echoes of summer memories. Within these audible sculptures are the emotions of hope in spring, and beautiful sadness in fall.” 

pret-a-porter

Ohkouchi processed these sounds and then added the WAV files recorded from Tokyo’s urban soundscape to form the original soundtrack that will accompany the film made by Stuart Ward for the exhibition.

So what actually is a ‘new generation city’? For trend director Fall it means promoting a socioeconomic and creative model that challenges the Anglo-Saxon urban paradigm of the traditional ‘western’ city. “Tokyo is constantly reinventing itself. Ever since the total physical and emotional destruction of World War Two, the city has had very little sense of nostalgia, instead always focusing on technology, modernisation and improving the daily lives of its citizens.”

“I would like people to get a better understanding of what Tokyo represents, rather than the clichés and nonsensical news that usually makes it overseas, like the loligoths. By using the five senses as a reference, people will hopefully experience the dynamism and literal assault on your mind and body that Tokyo offers. It truly is an overwhelming city - both in a good and bad way - and the space will hopefully go some way in encapsulating this with its challenging soundtrack, scents, visual images and tactile elements that we have collated.” 

Fall chose five areas in Tokyo - Saragakucho, Naka Meguro, Jingumae, Shimokitazawa and Aoyama - that she believes to be the most influential in providing fashion trends in Japan. At a convenience store in each area she bought products that represent each neighbourhood’s character, and then asked scent creator Oishi to develop a fragrance for each area. 

naka-meguro

Fall will also be bringing some typical Japanese snacks with her to France - familiar in Japan, but not necessarily known in Paris - to assault the taste buds.

“The reason I chose convenience stores for inspiration,” Fall explains, “is that statistically most people shop at a convenience store at least twice a week, if not every day. The importance of convenience stores in Japan cannot be underestimated so I wanted to demonstrate how the convenience store’s product offerings change according to an area’s demographic.” 

Trying to describe and convey the spirit of Tokyo means discarding the rulebook. As Fall says, Tokyo is a paradox. “It is both friendly yet alien, crazy but serious, modern yet traditional. And if that sounds like a cliché, the paradox is that it’s true.” 

New Blood Agency will showcase Stockholm through photography and arts, Renata Abranchs and Tiago Petrik are in charge of curating the essence of Rio, and Alexandra Senes (who is also the editor-at-large for the Jalouse group of magazines) will direct the Paris space. Los Angeles based GOOD magazine - ‘for people who give a damn’ - will represent their city.

To see how each city experientially packs its punch in 80 square metres, visit Prêt à Porter Paris from 30 January - 2 February 2009.

[Photos taken by Nicole Fall of Naka Meguro, one of the areas featured in the exhibition.]

This is a post by David Report contributor Kristina Dryza.

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Categories: Business, Fashion

Jethro Cave by Hedi and Nicola

David Carlson, 24 January, 2009

Hedi Slimane and Nicola Formichetti get together to shoot Jethro Cave (Nick Cave’s son) for DazedDigital.com.

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jethro cave for dazeddigital

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Categories: Art

Clouds by Bouroullec

David Carlson, 22 January, 2009

bouroullec_clouds_kvadrat

If you are in Paris the next couple of days you have the possibility to check the Ronan and Erwan Bouroullec exhibition at Galerie Kreo. It’s called Clouds and is produced in collaboration with Danish manufacturer Kvadrat. The exhibition runs until Saturday 24th this month. The address is 31, rue Dauphine.

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Categories: Design

Milan - Man fall winter 2009

Olivier Rohrbach, 22 January, 2009

From Saturday 17th to Tuesday 20th of January 2009, nearly 90 shows and presentations were presented in Milan.

Due to economic slowdown men’s fashion for winter 2009-10 shows a certain classicism as indicated by the great comeback for conservative colors such as burgundy, gray, black and bottle green. 

Among the many shows and presentations viewed, here is my Top 5!

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Saturday 12.00, COSTUME NATIONAL

Keywords: “I DESIRE TO COMBINE SOFTNESS, SOBRIETY AND RELAXATION. I THINK WE NEED IT RIGHT NOW” Ennio Capasa, designer of Costume National

Music : TV On The Radio

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Saturday 14.00, JIL SANDER

Keywords : “I WANTED TO PRESENT SOMETHING POWERFUL”, Raf Simmons, designer of Jil Sander

Music : selections of Portishead’s new album

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Saturday 17.00, LES HOMMES

Keywords: « THE COLLECTION DRAWS ITS INSPIRATION FROM EARLY RENNISSANCE PAINTINGS, IN PARTICULAR FROM PORTRAITS OF YOUNG MEN ON THE BATTLE FIELD, AND FROM THE ANDROGYNOUS AND INNOCENT BEAUTY THE EXPRESS” Notte & Vandebosch, designers of Les Hommes Homme

Music : selection by Michel Gaubert

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Sunday 09.00, BOTTEGA VENETA

Keywords : “WHEN YOUR OWN INITIALS ARE ENOUGH”,

Tomas Maier, designer of Bottega Veneta

Music : country inspired covers versions of tracks such “Pump Up The Jam”, selected by Michel Gaubert

alessandro_dellacqua

Monday 09.00, ALESSANDRO DELL’ACQUA

Keywords: “BOURGEOIS REVOLUTION. THE SOBRIETY OF THE COLOURS MUD, ASPHALT GREY, EBONY AND BLACK ALTENATES WITH THE SOPHISTICATED COMBINATION OF CAMEL AND FLESH COLORS”

Music: selection by Steve Mackey

This is a post by the David Report contributor Olivier Rohrbach.



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Categories: Fashion

The Futurenatural beauty products

David Carlson, 21 January, 2009

The goal of Futurenatural is to provide people of all ages, gender and race with luxurious, modern, well-designed, effective alternatives to conventional beauty products, and to enrich the planet in the process. We’ve become really vigilant about what we put in our bodies – now you can be equally vigilant about what you put on it. Futurenatural has gone out of our their to find the best natural & organic beauty brands in the world and they stock everything from cult classics to boutique lines. You’ll discover that what they all have in common is an emphasis, one way or another, on using natural and/or organic ingredients, fair trade sources, and in some instances environmentally responsible packaging.

Futurenatural believe that science and nature combine beautifully to create products that are effective and luxurious to use - they want you to be healthy as well as gorgeous!

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Categories: Business, Sustainability

A vision for Gothenburg

David Carlson, 18 January, 2009

heden-in-Gothenburg

KjellgrenKaminsky architects just presented a vision for Heden in city of Gothenburg. It’s a new multifunctional and sustainable Heden with parks, apartments, shops, offices and sports facilities.

After interviews with inhabitants in Gothenburg a conceptual vision of a new Heden has emerged:

“With a unique identity of sustainable densification the new town block Heden creates a vision of a garden block that connects green space, healthy lifestyle and pleasant surroundings to a modern living atmosphere.”

heden-Gothenburg

Heden of today is an open field in the middle of Gothenburg.

heden-Gothenburg-Sweden

According to KjellgrenKaminsky it could be transformed into a green lung for the Gothenburgians.

This is how the architects see the future  sustainable Heden:

New Heden looks green from above. Even though denser developed it has a much greater biomass than its predecessor. Local cultivation of fruits and vegetables is a natural part of living in the area. Grass roofs and parks enrich the animal life and plant life and let nature become an integrated part of the city centre. They also absorb rain water that can be purified and reused as household water. The buildings are well insulated with low energy consumption. Since situated closely to existing public transportation the residents are not depending on cars in their daily life.

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